Saturday, December 28, 2019
Research Of Unions Influence For Company Management
Research of Unionsââ¬â¢ Influence for Company Management After many rounds of discussion over unionââ¬â¢s function and influence, we can understand why management wants to keep the union out, it s very difficult to get the potential benefits of good union-management relations in reality, most of time, they have to deal with the conflict interests. While union membership is down, unions still play an important role in improving employeesââ¬â¢ benefits, union provides employees a more powerful voice when dealing with management, in order to get better wages, safe and healthy working environment, and job security. Unions give employees a sense of belonging to protect their interests in case they become a vulnerable party in front of employers. Thereâ⬠¦show more contentâ⬠¦Unionââ¬â¢s negative effect on management 1 Seniority system influence management evaluation Seniority system played a critical role in the determination of promotion, transfer, and layoff decisions. We know the importance of the seniority system, as we learned in text, seniority system is a set of rules governing the allocation of economic benefits and opportunities on the basis of service with one employer. Therefore, the seniority is considered a critical issue in management. The most important advantage of seniority is providing job security and increasing employeeââ¬â¢s loyalty. Job security is the most basic concern of employees, because it along with wages, health care, and pension benefits, often ranks as one of the top negotiation priorities, especially during hard economic times. Most of time, employeesââ¬â¢ skills and productivity increase with time because of the increase of experience and the results of training. The ââ¬Å"last hired, first firedâ⬠rule could help organization keep the most experienced talents. (Carrell, 2010) Nonetheless, the indisputable fact is that union membership is declining. I think that a change is certainly necessary in order to make them more relevant and get rid of some of the major negatives that exist within current unions. Looking at the cons that exists, I would say that one of the major disadvantages that unions possess is that they strip away individualism. At the same time, I
Friday, December 20, 2019
Is HR Indispensible or Obsolete for Companies - 1233 Words
Austen Williams Pers/Human Res Mgmt MGMT-302-410 HR Is Dead, Long Live HR HR Is Dead, Long Live HR Within this article the author explains about two elements dealing with the Human Resource department within a company. These two elements are whether HR is indispensible or obsolete for companies. Firstly, this article explains how HR is becoming obsolete. This is through many companies outsourcing their HR department. This allows them to spend less money on staff, and reap the benefits of a more timely and accurate department. As shown through the outsourcing BP decided to do with their HR department. With the outsourcing of the lower level HR department positions there has been a significant amount of employees being laidâ⬠¦show more contentâ⬠¦This article was thorough in telling how the human resources department and the marketing department could work together in order to insure a better overall organization. I personally liked this article, it reminded me of some of the problems and issues I dealt with when working for a particular organization. While reading th is article I picked up on the fact that one of the main purposes of this article was to tell the readers/organizations that for the organization to work better as a whole and not just parts of a whole, employees need to be well rounded within the organization. This includes knowing all the employees can know about the organization and what it is that makes the organization work. The organization that I was referring to that I personally worked for was Walgreenââ¬â¢s. When I first started I was just a cashier however I ended up moving around to every department within that particular store other than management, personally knowing about each department helped me out as an employee. I was able to explain to customers better and questions or concerns they had about any part of the store. Knowing about the company and the different departments and or products within the organization truly benefits each employee in doing a better job for that organization. This article has enormous amounts of information that not only deals with this
Thursday, December 12, 2019
Music and the Brain Essay Example For Students
Music and the Brain Essay In the second chapter of Levitys This Is Your Brain on Music, he discusses Rhythm, Loudness, and Harmony. When discussing rhythm, Levities groups in tempo and meter along with it as related concepts. He defines them. Rhythm: the lengths of the notes. Tempo: the pace of a piece of music, and meter is the intensity of a note (how hard or lightly it is hit). Rhythm is a crucial part of what turns sounds into music. A single note can be played over and over again, but as long as the rhythm keeps changing listening to that single note can still be an exciting experience. Just as the ratio of 2:1 is the special ratio for octaves, it is the most common and obvious rhythm ratio as well. Tempo, the pace of a piece of music, usually determines the mood set by any piece of music. Upbeat songs that move at a faster pace are generally happy songs while the slower songs are generally considered the sad songs. People are surprisingly accurate when it comes to replicating the tempo of any given song. Levities credits this incredible ability to a system of time keepers that exist in the cerebellum. These time keepers have the ability to synchronize the music as e hear it and the replicate it the next time we sing the song. Levities defines meter as the way beats are grouped together and the intensity of those notes. The most commonly heard meter in Western music is a 4/4 time with a strong beat every fourth beat. It is generally easiest for listeners to pick up the stronger, down, beat. In discussing loudness, Levities explains that, like pitch, it doesnt actually exist. Its all just vibrations of different intensities perceived as loudness by our brains. Sounds can be louder when they are processed different ways. We measure loudness in decibels. When the decibels reach a certain level permanent damage can be caused. Levities concludes the chapter by explaining that the different attributes of music combine in many different ways that work for or against each other. The way our brains categorize and process the musical attributes is still unknown, but much progress has been made to lead toward a greater understanding in the brains ability to process music. October 1st, 2008 In the opening chapter of Levitys This Is Your Brain on Music, he attempts to define music. Varyà ©SE is sited for stating that, music is organized sound. (p. 14) Levities went n to separate music into eight basic elements of sound: loudness, pitch, contour, duration (rhythm), tempo, timbre, spatial location, and reverberation. He summarized the main terms, stating that the pitch tells listeners what note is being heard. The tone is what you hear, and the note is what is actually written on the musical score. Rhythm is def ined as a duration of a series of notes. Tempo is the overall speed/ pace of a piece of music, and contour is the shape of the note, whether the note goes up or down. Timbre is the way one instrument sounds to listeners as opposed to another. Timbre can also be applied to the way a single instruments produced sound changes as it passes from one end of its range to another. All the basic attributes can be altered without affecting any other element. They are separable. The eight Music and the Brain By assassinations melody, and harmony. The meter is the way tones are grouped together. Levities gives us the example of a group of three tones come out to be a waltz, % time, and if you add one more to the group you get a march, 4/4 time. The melody is the main theme of a musical piece, and harmonies are the relationships between the pitches of efferent tones. He explains that all the elements combine to create a work of art, and the relationship between them is what creates the music. As Miles Davis is sited as saying, the most critical aspect is the space in between the notes. Levities also explains that sound only exists when there is a listener present to hear the sound. In ancient Greece their string instruments were reve rsed. The IoW notes were the shorter strings, but they were the ones that were on the bottom, but lower to the ground. The high notes were the ones that were on top, closer to the sky. .u97411f536da8faf2d8aac1120cc8812a , .u97411f536da8faf2d8aac1120cc8812a .postImageUrl , .u97411f536da8faf2d8aac1120cc8812a .centered-text-area { min-height: 80px; position: relative; } .u97411f536da8faf2d8aac1120cc8812a , .u97411f536da8faf2d8aac1120cc8812a:hover , .u97411f536da8faf2d8aac1120cc8812a:visited , .u97411f536da8faf2d8aac1120cc8812a:active { border:0!important; } .u97411f536da8faf2d8aac1120cc8812a .clearfix:after { content: ""; display: table; clear: both; } .u97411f536da8faf2d8aac1120cc8812a { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u97411f536da8faf2d8aac1120cc8812a:active , .u97411f536da8faf2d8aac1120cc8812a:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u97411f536da8faf2d8aac1120cc8812a .centered-text-area { width: 100%; position: relative ; } .u97411f536da8faf2d8aac1120cc8812a .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u97411f536da8faf2d8aac1120cc8812a .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u97411f536da8faf2d8aac1120cc8812a .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u97411f536da8faf2d8aac1120cc8812a:hover .ctaButton { background-color: #34495E!important; } .u97411f536da8faf2d8aac1120cc8812a .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u97411f536da8faf2d8aac1120cc8812a .u97411f536da8faf2d8aac1120cc8812a-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u97411f536da8faf2d8aac1120cc8812a:after { content: ""; display: block; clear: both; } READ: Musical Education Opportunities in America EssayLevities tastes that sound in a mental image created by the brain in response to vibrating molecules. (p. 24) It was helpful that Levities utilized multiple analogies to help explain more complex ideas. For example, he presents the fact that air molecules vibrate at several rates simultaneously as opposed too single rate. Levities first applies the idea to instruments, but then he also compares it to the earths rotations, and a train. The different situations allow readers to pick the worldly example that works best for them and apply that to the idea to assist in their comprehension.
Wednesday, December 4, 2019
Gender Roles in the Renaissance Essay Example For Students
Gender Roles in the Renaissance Essay Gender roles took a very big part with the depiction of women during the strong artistic values in the Renaissance. This included social run ins, what women did and were allowed to do, the women who participated in making art, art workshops and institutions, how nuns and religions were involved, the differences between men and women with public art, patronage and the female representation. Women have always been discriminated against in the art world and had very different rules than men. There were very restrictive forms of gender roles in society, which meant that people imposed limitations on activities people did or participated in. Art theory was gender norm, so it wasnt frowned upon for women to invest their time in (Floodlit, Sheila. Art and Women in the Renaissance. ). But with all of the discrimination against women, no matter what, artists were not accorded a special status in society (Beardsley, Sandy. medieval women artists. ). The term artist was a male-gendered concept. Men were also prescribed different paths in women with work and values (Floodlit, Sheila. Art and Women in the Renaissance. ). That being said, men dominated crafts and trade (Beardsley, Sandy. medieval women artists. ). The emphasis on domesticity confined women across social spectrum to the household. Women were also envisioned primarily as wives regardless of their class and extolled modesty, silence and discretion as virtues (ROI). Most women took the roles as miniaturists, illuminati on or embroiders (Beardsley, Sandy. medieval women artists. ). But since they were women, it affected them as makers and consumers of art (Floodlit, Sheila. Art and Women in the Renaissance. ). Women established their own workshops and and there were even court cases in which women are mentioned as professional craftspeople with work contracts. At least 5/10 women were widows whose husbands once had run an art workshop. They were paved 2/3rd the paying rate of men. Women also accounted for 10/229 sculptors and painters in year 1300 (Beardsley, Sandy. medieval women artists. ). Since womens roles were different than mens, they were only allowed to do so much. The greater parts of objects produced by women remained outside of what developed into top genre in the hierarchy of art history categories. Art theory minimized and put down womens contributions to their works of art. Women produced commercially successful rarities, which meant that anyone could tell them something to draw (or whatever their medium was), and they would produce exactly what the client asked for. In the seventeenth century, women gained admission to artistic academics like schools and workshops (Floodlit, Sheila. Art and Women in the Renaissance. ). Humanists thought that upper class women should be trained like their male counterparts, but lower class women shouldnt even be considered (ROI). Women occupied exceptional occupational positions and they learned how to exploit their exceptional status to become famous and make money (Floodlit, Sheila. Art and Women in the Renaissance. ). Most artists did not sign their artwork, so identifying if it was a woman was very difficult. The vast majority of medieval female artists have disappeared without any record of their names (Beardsley, Sandy. medieval women artists. ). Women were excluded from many different things involving the human allowed to be drawn. They were also excluded from learning the mathematics based on the perspective system, which included the body proportions. They were excluded from religion, mythology and historical subjects. Portraiture was the most socially acceptable outlet for women. Still life and portraiture were theorized as less mentally challenging than narrative work, since the still life and people were right in front of them it was easier to visualize, rather than coming up with visuals from what people were telling them (Floodlit, Sheila. Art and Women in the Renaissance. ). Women also worked with metal trades, textile art (Beardsley, Sandy. medieval women artists. ) and perspective settings. .ubd75407ba7cb47d1f0177352d92314ed , .ubd75407ba7cb47d1f0177352d92314ed .postImageUrl , .ubd75407ba7cb47d1f0177352d92314ed .centered-text-area { min-height: 80px; position: relative; } .ubd75407ba7cb47d1f0177352d92314ed , .ubd75407ba7cb47d1f0177352d92314ed:hover , .ubd75407ba7cb47d1f0177352d92314ed:visited , .ubd75407ba7cb47d1f0177352d92314ed:active { border:0!important; } .ubd75407ba7cb47d1f0177352d92314ed .clearfix:after { content: ""; display: table; clear: both; } .ubd75407ba7cb47d1f0177352d92314ed { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ubd75407ba7cb47d1f0177352d92314ed:active , .ubd75407ba7cb47d1f0177352d92314ed:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ubd75407ba7cb47d1f0177352d92314ed .centered-text-area { width: 100%; position: relative ; } .ubd75407ba7cb47d1f0177352d92314ed .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ubd75407ba7cb47d1f0177352d92314ed .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ubd75407ba7cb47d1f0177352d92314ed .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ubd75407ba7cb47d1f0177352d92314ed:hover .ctaButton { background-color: #34495E!important; } .ubd75407ba7cb47d1f0177352d92314ed .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ubd75407ba7cb47d1f0177352d92314ed .ubd75407ba7cb47d1f0177352d92314ed-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ubd75407ba7cb47d1f0177352d92314ed:after { content: ""; display: block; clear: both; } READ: Leonardo da Vinci: Renaissance Man EssayThey typically decorated ecclesiastical civic homes or domestic interiors in frescos, which were oil paintings on the walls. Women did not actively commission works of their art. They did almost all of it for free since they thought they could not make a living off it, since they were women (Floodlit, Sheila. Art and Women in the Renaissance. ). There was an embroidery contract for Queen Philippe of England in which 42/112 people who worked with that contract were women. People were all hired in big teams or groups (Beardsley, Sandy. medieval women artists. ); Only a few female artists artwork has survived. There was Forgot, who was a very popular and famous illumination. She was employed by her father, who helped and guided her to making an illustrated book for the countess of Bar. Mabel of Bury SST. Edmunds worked with embroidery and worked in an English court. Anastasia was famous in the fifteenth century for being a manuscript illumination. Sancta Gadolinium of Spain worked with metal. She was the first woman to work with metal. Sancta created a large silver cross decorated with human figures. Giovanni Vacation was the famous woman because she made illuminations showing women painting frescos and other women in work. Tulsa was a rube atria. This meant that she was the first woman to apply red to highlight certain words, phrases or letters in a manuscript (Beardsley, Sandy. Medieval women artists. ). There were many institutional values women held publicly and at home. In the public, when they were trying to become professionals, big structures inhibited girls from becoming professionals with producing their own artwork because of the male domination. To have an apprenticeship, you had to work with an established master, which is where the term old master came from, but that was impossible for women to get, since they were women. This was also because the workshops were filled with 12-20 men. The guild rules also inhibited many possibilities for only some, not all, irking class women. At home, women started out by beginning work in their family workshop and then gradually moved onto their own work and workspace. This all being said, women were also closely guarded to protect their family and their honor, so thats why not a lot of women moved on (Floodlit, Sheila. Art and Women in the Renaissance. ). Nuns were very important when it came to art and manuscripts and other works of art. Nuns didnt create work for devotion but for income too. The nunneries were their workshops (Beardsley, Sandy. medieval women artists. ). Nuns produced vocational objects, meaning that they created their work with religious worship (Floodlit, Sheila. Art and Women in the Renaissance. ). Nuns found outlets for professional art, it was only considered as a religious vocation (Floodlit, Sheila. Art and Women in the Renaissance. ). Nuns made tapestries, manuscripts, embroidery and drawings (Beardsley, Sandy. medieval women artists. ). They also made panel painting and portraits of saints. The saints especially appeared in a variety of media (Floodlit, Sheila. Art and Women in the Renaissance. ). Public work between men and women made the distinction between the wealthy ND the poor. In communities, woman artists had access to monumental and smaller works in the household. With the economical spectrum, devotional images were produced, even though women werent allowed to produce images like that. The wealthy and elite women and their families remained in family residences, where they bought and did a narrative of the trays and bowls that they wanted to associate with their births and decorated the inside of their homes accordingly with furniture. In the public squares, which was where everything was going on and was the center f the social spectrum most of the time, women spent less time there than men. .ua4f223438c6a1065d8a78f46ca5674b3 , .ua4f223438c6a1065d8a78f46ca5674b3 .postImageUrl , .ua4f223438c6a1065d8a78f46ca5674b3 .centered-text-area { min-height: 80px; position: relative; } .ua4f223438c6a1065d8a78f46ca5674b3 , .ua4f223438c6a1065d8a78f46ca5674b3:hover , .ua4f223438c6a1065d8a78f46ca5674b3:visited , .ua4f223438c6a1065d8a78f46ca5674b3:active { border:0!important; } .ua4f223438c6a1065d8a78f46ca5674b3 .clearfix:after { content: ""; display: table; clear: both; } .ua4f223438c6a1065d8a78f46ca5674b3 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ua4f223438c6a1065d8a78f46ca5674b3:active , .ua4f223438c6a1065d8a78f46ca5674b3:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ua4f223438c6a1065d8a78f46ca5674b3 .centered-text-area { width: 100%; position: relative ; } .ua4f223438c6a1065d8a78f46ca5674b3 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ua4f223438c6a1065d8a78f46ca5674b3 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ua4f223438c6a1065d8a78f46ca5674b3 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ua4f223438c6a1065d8a78f46ca5674b3:hover .ctaButton { background-color: #34495E!important; } .ua4f223438c6a1065d8a78f46ca5674b3 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ua4f223438c6a1065d8a78f46ca5674b3 .ua4f223438c6a1065d8a78f46ca5674b3-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ua4f223438c6a1065d8a78f46ca5674b3:after { content: ""; display: block; clear: both; } READ: Mason-Caree, Renaissance Architecture Essay SummaryMen and women of all social classes both took part in decorating their local churches, or even churches in other cities, and public squares. Women mostly studies Latin, classical literature, philosophy and history in the public squares (Floodlit, Sheila. Art and Women in the Renaissance. ). Men and women both had very distinct Jobs, values and art styles. They also were very dependent on their own gender and the discrimination that was involved and these topics were very important during the Renaissance.
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